{"id":48,"date":"2022-05-26T16:05:35","date_gmt":"2022-05-26T16:05:35","guid":{"rendered":"https:\/\/kolajinstitute.org\/collageinmotion\/?p=48"},"modified":"2022-06-03T19:01:26","modified_gmt":"2022-06-03T19:01:26","slug":"miwa-matreyek","status":"publish","type":"post","link":"https:\/\/kolajinstitute.org\/collageinmotion\/miwa-matreyek\/","title":{"rendered":"Miwa Matreyek"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"490\" src=\"https:\/\/i0.wp.com\/kolajinstitute.org\/collageinmotion\/wp-content\/uploads\/2022\/05\/miwa-matreyek-this-world-made-itself.jpg?resize=700%2C490&#038;ssl=1\" alt=\"\" class=\"wp-image-50\" srcset=\"https:\/\/i0.wp.com\/kolajinstitute.org\/collageinmotion\/wp-content\/uploads\/2022\/05\/miwa-matreyek-this-world-made-itself.jpg?w=700&amp;ssl=1 700w, https:\/\/i0.wp.com\/kolajinstitute.org\/collageinmotion\/wp-content\/uploads\/2022\/05\/miwa-matreyek-this-world-made-itself.jpg?resize=300%2C210&amp;ssl=1 300w, https:\/\/i0.wp.com\/kolajinstitute.org\/collageinmotion\/wp-content\/uploads\/2022\/05\/miwa-matreyek-this-world-made-itself.jpg?resize=210%2C147&amp;ssl=1 210w\" sizes=\"auto, (max-width: 700px) 100vw, 700px\" \/><figcaption><em>This World Made Itself<\/em> (still-image)<br>SD; digital file, live performance; 30 minutes; 2013<\/figcaption><\/figure>\n\n\n\n<h1 class=\"wp-block-heading\">Miwa Matreyek<\/h1>\n\n\n\n<p>Vancouver, British Columbia, Canada<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">STATEMENT OF ARTIST PRACTICE<\/h2>\n\n\n\n<p>My main practice is as an animator, in which my animation practice was born out of collage-making.<br>As I started making collages in a digital form, it felt like the next step was to add time, movement, and music, and the collages started to dance. There are several iterations of my work. I create animation as digital moving collages, weaving photos and videos that I shoot along with found images, cut up and restructured into new worlds. I was originally inspired by Surrealist, Dada, and constructivist collages, but later my collages turned to a more painterly quality. I am often weaving myself in to the animation as either rotoscoped videos of myself (part of my body or full figure) as well as sometimes as a live performer along with the projection (as if I am collaging my shadow silhouette into the projected animations.)<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">ARTIST BIO<\/h2>\n\n\n\n<p>Miwa Matreyek is an animator, designer, and performer. Coming from a background in animation by way of collage, Matreyek creates live, interdisciplinary performances that integrate projected animations at the intersection of cinematic and theatrical, fantastical and physical, and the hand-made and digital. Her work exists in a dreamlike visual space that makes invisible worlds visible, often weaving surreal and poetic narratives of conflict between humanity and nature as embodied performed experiences. She has presented her work internationally, including animation\/film festivals, theater\/performance festivals, art museums, science museums, tech conferences, and universities. A few past presenters include TED, New Frontier at Sundance Film Festival, MOMA, SFMOMA, PUSH festival, Lincoln Center, Walker Art Center, and many more. Her newest solo piece, <em>Infinitely Yours<\/em>, was awarded the grand prize for Prix Arts Electronica\u2019s Computer Animation category. She is a 2013 Creative Capital award recipient.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">CONTACT<\/h2>\n\n\n\n<p><a href=\"http:\/\/www.miwamatreyek.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">miwamatreyek.com<\/a><\/p>\n\n\n\n<p><a href=\"mailto:miwa@miwamatreyek.com\" target=\"_blank\" rel=\"noreferrer noopener\">EMAIL<\/a> | <a href=\"https:\/\/vimeo.com\/matreyek\" target=\"_blank\" rel=\"noreferrer noopener\">VIMEO<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h1 class=\"has-text-align-center wp-block-heading\">Examples of Collage in Motion<\/h1>\n\n\n\n<h2 class=\"wp-block-heading\">Lumerence<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lumerence\" src=\"https:\/\/player.vimeo.com\/video\/37510958?h=4633be2ed6&amp;dnt=1&amp;app_id=122963\" width=\"720\" height=\"405\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption><em>Lumerence<\/em><br>HD; digital file; 4:10 minutes; 2012<\/figcaption><\/figure>\n\n\n\n<p>Originally inspired by a visit to Mt Wilson Observatory, this film explores the human desire&#8230; and ultimately the whole earth&#8217;s desire to find connection with the universe. Features the song <em>Quite<\/em> by Careful.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Digitopia<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Digitopia\" src=\"https:\/\/player.vimeo.com\/video\/5906461?h=fe5ea5ec3e&amp;dnt=1&amp;app_id=122963\" width=\"400\" height=\"300\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption><em>Digitopia<\/em><br>SD; digital file; 4:14 minutes; 2005<\/figcaption><\/figure>\n\n\n\n<p>This short film imagines a future where through nanotechnology, the distinction between human bodies, the earth, and technology is blurred. Features the song <em>Utopia <\/em>by Goldfrapp.<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Infinitely Yours<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Infinitely Yours trailer\" src=\"https:\/\/player.vimeo.com\/video\/423046370?h=3d2122609a&amp;dnt=1&amp;app_id=122963\" width=\"720\" height=\"405\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption><em>Infinitely Yours<\/em> (excerpt)<br>SD; digital file, live performance; 26 minutes; 2020<\/figcaption><\/figure>\n\n\n\n<p>Miwa Matreyek creates an emotional, dream-like meditation on climate catastrophe and the Anthropocene &#8211; the current era where human influence has effected almost all realms of earth\u2019s natural systems. Miwa\u2019s shadow traverses macro and micro scales, as her silhouette shape-shifts to experience the world from various perspectives: An earth overflowing with trash. A person drowning in a plastic-filled ocean. A school of fish caught in a trawling net. The work is an emotionally impactful, embodied illustration of news headlines we see every day, and the complex harm humanity causes to the world. <\/p>\n\n\n\n<p>Created and performed by Miwa Matreyek <br>Music: Morgan Sorne<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Panorama City<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Panorama CIty (RedCat gala video)\" src=\"https:\/\/player.vimeo.com\/video\/3798289?h=3b8eb5a0c1&amp;dnt=1&amp;app_id=122963\" width=\"400\" height=\"300\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption><em>Panorama City<\/em><br>digital file; projected as a double triptych from 3 projectors on either side of a hall (6 projectors total); 16:42 minute loop; 2009<\/figcaption><\/figure>\n\n\n\n<p>Originally made as an large scale triptych installation for a gala at the REDCAT, <em>Panorama City<\/em> was made as an atmospheric, textural video about the cycles of birth\/construction and decay. <\/p>\n\n\n\n<p>It was originally displayed at the REDCAT as a 60ft wide panoramic video that were mirrored on opposing sides of the theater (the two videos had slight variation).<\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Ocean Flight<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ocean Flight\" src=\"https:\/\/player.vimeo.com\/video\/249346130?h=1dfdec0d82&amp;dnt=1&amp;app_id=122963\" width=\"720\" height=\"480\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption><em>Ocean Flight<\/em> (excerpt)<br>SD; digital file, live cam footage, live performance; about 20 minutes; 2005<\/figcaption><\/figure>\n\n\n\n<p><em>Ocean Flight<\/em> was originally made in 2005 as a collaboration between Miwa Matreyek and Chi-wang Yang in our first MFA year, via the Center for Integrated Media. The piece is based on Bertolt Brecht, <em>Der Ozeanflug<\/em> about Charles Lindberg&#8217;s flight across the Atlantic. This piece uses live-camera to capture a performer via video to be projected in the cinematic space of the projection. <\/p>\n\n\n\n<p>Already from this original collaboration, we were thinking about finding moments and interesting juxtaposition of body\/space\/media via experimentation and play, and about constantly changing the relationships of the media to the body and space throughout the piece.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vancouver, British 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