at Kolaj Institute Gallery in New Orleans, Louisiana, USA
11 October-24 November 2024

North American modern life is fundamentally diasporic in nature. So many of us are from somewhere else and yet, where we are and when we are shapes who we are at any given point in time. How do we reconcile disparate identities and nurture a whole sense of self? In the exhibition, “Temporal Geolocation,” Paula Mans, T. Owens Union, Candace Caston, and Jeanna Penn draw on history and a sense of place to make collage art that speaks to identity.

Kolaj Institute Gallery has open hours Thursday-Saturday, Noon-6PM or by appointment.

In October, the Krewe will be screening Joy Is Paper by Ric Kasini Kadour, at 8PM. This 7-minute short film documents The Paper Parade, a walking parade organized by the Krewe in January 2024. The film shows participants as they prepare for the event and then as they parade through the streets of the Bywater neighborhood.

Kolaj Institute Gallery is an exhibition gallery, residency center, artist studio, library and archive. Located at 2374 Saint Claude Avenue, Suite 230, at the corner with St. Roch Avenue. Kolaj Institute also manifests in other locations and art institutions around New Orleans with the intent to activate community centered around collage.

PoetryXCollage is a printed journal of artwork and writing which operates at the intersection of poetry and collage. We are interested in found poetry, blackout poetry, collage poems, haikus, centos, response collages, response poems, word scrambles, concrete poetry, scatter collage poems, and other poems and artwork that inhabit this world.

At Kolaj Institute, we reject the myth of the solitary artist and believe that artists are better in community with one another. In that spirit we invite working artists to join us for a monthly meet-up to get feedback on work, and network with one another. Find out who’s looking for folks to exhibit, meet other working artists, and get the low-down on the skinny of what’s up and up. The event is hosted by LaVonna Varnado Brown at Kolaj Institute Gallery. RSVP is helpful but not necessary. Artists are encouraged to bring artwork to share with the group. Questions? Send an email to info@kolajinstitute.org

We are living in an explosively political time, faced with crises that are not only deepening individually, but becoming increasingly intersectional in relation to each other. There is a strong history of collage art being used to tackle complex socio-political issues during some of the most difficult eras, but how can it meet this moment and spark meaningful dialogues about our varied, contemporary issues? In November 2022, G. E. Vogt led twelve artists in a month-long virtual residency with the goal of creating work that examines complex socio-political issues that contemporary society is contending with, in order to spark meaningful dialogue and inspire deeper engagement. Each artist chose specific issues to explore through the medium of collage. Their artwork allows viewers an opportunity to reflect on various forms of racism, colorism, ableism, and sexism; the war in Ukraine; climate change and the importance of permaculture; beauty standards and women’s autonomy. Their work makes its way into the world in this book and as a traveling exhibition.

In January 2024, Kolaj Institute moved into a 1200 square foot space in the New Orleans Healing Center on the corner of St. Claude and St. Roch Avenues. The space serves as an exhibition gallery, residency center, artist studio, library and archive. We need your help to make it happen!

by Kate Chopin, illustrated & interpreted by contemporary collage artists

The Awakening focuses on Edna Pontellier, an upper-class New Orleans woman, torn between expectations and desires. In the beginning of the novel Edna appears to live in a semi-conscious state, trapped in the mundane aspects of her life. As the story evolves, she encounters new people and experiences that create an awakening shift within her. Edna begins to view her world differently, and through this lens new relationships emerge while others become strained. In the end, Edna realizes that even if she has her own desires she is still trapped by her societal role.