Saturday, 17 December 2022, 2PM EST

A Virtual Forum about Collage. Free & Open to All.
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Collage Artist Residency: Scotland

A week-long artist residency in Sanquhar, Scotland designed for artists working in collage who seek to engage with place in their practice in community with other artists.

Curating Collage Workshop

A four-week, virutal workshop designed is to equip artists with the tools to curate their own work, to work with curators, and build exhibitions that connect with diverse audiences.


Wallflowers: Collage as Street Art explores the intersection of collage and street art.

Christopher Kurts recalls the formation of the Kolaj Street Krewe from its creation at Kolaj Fest New Orleans to a guerilla art project during the COVID-19 pandemic to an artist residency for Street Artists. The book contains examples of collage as street art by twenty-four artists from eight countries. An introduction by Ric Kasini Kadour situates collage in the history of street art.


Wednesday, December 14th, 2022, 7PM EST

A Virtual Forum about Collage. Free & Open to All.
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Kolaj 36

Current Issue of the Print Magazine

Barbara Bertino’s Sailing the Dry Land graces the front cover of Kolaj 36 which we think is an apt metaphor for a print magazine where each issue travels around the world of collage. In Kolaj 36, we travel from the western foothills of the Sierra Nevada to Rio de Janeiro to Kampala, Uganda to report on the international community of collage artists and what this 21st century art movement is doing. Kelli Bodle takes us back in time to explore the legacy of Italian Proto-Arte Povera Artist Salvatore Meo. We hear from a collective of composers in Peru (all of whom are women) who are making collage heard as well as seen. We get an update on how the U.S. Supreme Court may be changing Fair Use. And we consider the painterly influences and attitudes of collage artists, whether two-bit collage is a sort of minimalism, and how one artist came to love collage in motion. We hope each issue of Kolaj Magazine takes you someplace you’ve never been. 

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PoetryXCollage is a printed journal of artwork and writing which operates at the intersection of poetry and collage. We are interested in found poetry, blackout poetry, collage poems, haikus, centos, response collages, response poems, word scrambles, concrete poetry, scatter collage poems, and other poems and artwork that inhabit this world.

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Exhibition, Book, & Folio of Prints

A Project of Kolaj Institute & the Henry Sheldon Museum

On the occasion of the 50th anniversary of the Stewart-Swift Research Center, the Henry Sheldon Museum of Vermont History invited an international network of collage artists to engage with historic material in the archive and to create a folio of collage prints that reflect on the idea of community in a 21st century world. The prints are on exhibition at the Museum through January 7th, 2023 and the subject of a book published by Kolaj Institute

Learn MoreGet the Book

The mission of Kolaj Institute is to support artists, curators, and writers who seek to study, document, & disseminate ideas that deepen our understanding of collage as a medium, a genre, a community, and a 21st century movement. We operate a number of initiatives meant to bring together community, investigate critical issues, and raise collage’s standing in the art world.

Kolaj Institute works in partnership with Kolaj Magazine to communicate, market, promote, publish, and distribute the work of the Institute. Kolaj Institute is the recipient of Kolaj Magazine‘s archives and collections.

Kolaj Institute is decentralized and works in partnership with a number of art venues and other organizations around the world to manifest its programs.

Publications from Kolaj Institute

Consider this: The book, not the gallery, may be the best place to experience collage. This sentiment has broad implications for how collage artists work and how their work is received by an art world whose orientation is decidedly fixed on the gallery wall. Can the book provide the functions that the exhibition has historically provided to artists? Unlike an exhibition where original work is on display, a book depends on reproduction for its distribution. Will the public accept a book as an experience of artwork or even as an object of art in and of itself? And if we accept the book as being on par with the exhibition, how does that affect how we think of the history of art publishing that has come before?

Kolaj Institute works with Kasini House to publish books that document and diffuse ideas that deepen our understanding of collage as a medium, a genre, a community, and a 21st century movement. Books are often the outcome of residencies, fellowships, and other projects.

What’s New In Collage

Paper on Tour

COLLAGE ON VIEW Collages Only Amsterdam: Paper on Tour at Amstelkerk in Amsterdam, The Netherlands1-30 December 2022 Collages Only Amsterdam is a collective in which collagists Tineke Sips, Annette Visser,… [...]

Kolaj Institute Open House

KOLAJ LIVE ONLINE Kolaj Institute Open House Saturday, 17 December 2022 at 2PM EST (1900 UTC) GET TICKETS Good things are happening! In 2019, We created Kolaj Institute to support… [...]

Mythical Landscapes

COLLAGE ON VIEW Mysterious Landscapes: Secrets of the Vale at the Knoxville Museum of Art in Knoxville, Tennessee, USA17 March-28 May 2023 “The peaceful valley,” wrote William Wilson in 1904,… [...]

Where the Sun Casts No Shadow at the Knoxville Museum of Art

COLLAGE ON VIEW Where the Sun Casts No Shadow: Postcards from the Creative Crossroads of Quito, Ecuador at the Knoxville Museum of Art in Knoxville, Tennessee, USA6 January-19 February 2023… [...]

Politics in Collage Residency 2022

COLLAGE RESIDENCY Kolaj Institute Announces the Artists Selected for the 2022 Politics in Collage Residency Kolaj Institute is pleased to announce the twelve artists selected to participate in the 2022… [...]