OPEN STUDIO

Susan Newmark

Kolaj Institute Artist-in-Residence

at Kolaj Institute Gallery in New Orleans, Louisiana, USA
Saturday, 13 July 2024, 6-8PM

Visit the exhibition, Magic in the Modern World, and meet Kolaj Institute Artist-in-Residence Susan Newmark during Second Saturday in the Bywater. Newmark will show her process for making woven collage and the work she has made while in residence in New Orleans.

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EXHIBITION

Current Exhibition

Magic in the Modern World

at Kolaj Institute Gallery in New Orleans, Louisiana, USA
1 June to 11 August 2024
Gallery open by appointment.

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EVENTS

Community Workshops

Community Workshops are opportunities for members of the Greater New Orleans community, at any skill level, to experience collage making and explore new ideas. 

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CALLS TO ARTISTS

Collage on Screen Artist Residency 2024

Early Deadline to Apply: Sunday, 14 July 2024
Final Deadline to Apply: Sunday, 28 July 2024

Collage on Screen Artist Residency is a five-week program designed to support artists who want to develop a practice that includes motion in their artmaking. Residents will make a 30 second film that will be considered for Collage on Screen at Kolaj Fest New Orleans 2025. If selected, the film will be included in Kolaj Institute’s traveling screening program.

Queer Men Artist Lab New Orleans 2024

Early Deadline to Apply: Sunday, 14 July 2024
Final Deadline to Apply: Sunday, 28 July 2024

The goal of the Queer Men Artist Lab: New Orleans is to equip artists with tools and strategies for picking up the unfinished work of history and speak to contemporary civic discourse around social, economic, and environmental issues. Through interactive sessions in the Lab and panel discussions, artists will explore their process and practice; present a slideshow of their work; receive supportive, critical, curatorial feedback about their ideas; and discuss contemporary issues. 

Collage Games Artist Residency

Deadline to Apply: Sunday, 18 August 2024

A week-long, in-person residency in which artists will explore how to adapt their collage practice to game design or incorporate games and play as a theme in their artwork. Artists will leave the residency with a plan for finishing and distributing their games or artwork.

Call for Submissions: PoetryXCollage

Submissions are reviewed on an ongoing basis

PoetryXCollage is a printed journal of artwork and writing that operates at the intersection of poetry and collage. Artists and writers interested in submitting should prepare 3-5 page spreads for consideration. Page spreads must conform to exact specifications and include a general artist narrative and a short page spread narrative. 

NEW JOURNAL

PoetryXCollage

PoetryXCollage is a printed journal of artwork and writing which operates at the intersection of poetry and collage. We are interested in found poetry, blackout poetry, collage poems, haikus, centos, response collages, response poems, word scrambles, concrete poetry, scatter collage poems, and other poems and artwork that inhabit this world.

Learn MoreGet Volume Five Now

Kolaj 39

Current Issue of the Print Magazine

In the issue Editorial, “To Take Joy in the Joy of Others,” Ric Kasini Kadour asks how does one stay optimistic “in the face of a world that is increasingly divisive and at odds with itself. How do we stay positive and move forward when the world feels like it’s turning into a steaming pile of ….?” Helen Hartmann profiles Dutch Artist Anna van der Putte in “Cherishing the Beauty of Ephemeral Objects.” van der Putte’s assemblage, Yellow Stare Down, is on the cover. In “Migrating Forces,” Steve Bridgeman writes about how Charulata Prasada uses collage to explore culture, gender, and self. “Preservation Stations” reports on how Mark Vargo won a grant to make a series of collage-themed public sculptures that celebrate wildlife in Northern California. “My House Too” reports on how Danielle Cole is using collage to engage youth with history. Madeline Sorel shares her experience of the Kolaj Street Krewe Residency in New Orleans in “I Came for the Street Art, I Found a Community”. Anna Innocenti reflects on “the extraordinary impact of an artist residency” in “Evolving Collage Practice”. We review The Comfort of Crows, a new book by The New York Times contributor Margaret Renkl, illustrated by collagist Billy Renkl. In “Where Words Cannot,” Elizabeth Hazard considers S. Korey Steckle’s self expression through collage. Through artist portfolios, we journey to California, Iowa, Oregon, Virginia and Spain. We hope each issue of Kolaj Magazine takes you someplace you’ve never been.

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NEW PUBLICATION

Collage Saves The World

We are living in an explosively political time, faced with crises that are not only deepening individually, but becoming increasingly intersectional in relation to each other. There is a strong history of collage art being used to tackle complex socio-political issues during some of the most difficult eras, but how can it meet this moment and spark meaningful dialogues about our varied, contemporary issues? In November 2022, G. E. Vogt led twelve artists in a month-long virtual residency with the goal of creating work that examines complex socio-political issues that contemporary society is contending with, in order to spark meaningful dialogue and inspire deeper engagement. Each artist chose specific issues to explore through the medium of collage. Their artwork allows viewers an opportunity to reflect on various forms of racism, colorism, ableism, and sexism; the war in Ukraine; climate change and the importance of permaculture; beauty standards and women’s autonomy. Their work makes its way into the world in this book and as a traveling exhibition.

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FUNDRAISER

A New Home for Kolaj Institute

In January 2024, Kolaj Institute moved into a 1200 square foot space in the New Orleans Healing Center on the corner of St. Claude and St. Roch Avenues. The space serves as an exhibition gallery, residency center, artist studio, library and archive. We need your help to make it happen!

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NEW PUBLICATION

The Awakening

by Kate Chopin, illustrated & interpreted by contemporary collage artists

The Awakening focuses on Edna Pontellier, an upper-class New Orleans woman, torn between expectations and desires. In the beginning of the novel Edna appears to live in a semi-conscious state, trapped in the mundane aspects of her life. As the story evolves, she encounters new people and experiences that create an awakening shift within her. Edna begins to view her world differently, and through this lens new relationships emerge while others become strained. In the end, Edna realizes that even if she has her own desires she is still trapped by her societal role.

Learn MoreGet a Copy

The mission of Kolaj Institute is to support artists, curators, and writers who seek to study, document, & disseminate ideas that deepen our understanding of collage as a medium, a genre, a community, and a 21st century movement. We operate a number of initiatives meant to bring together community, investigate critical issues, and raise collage’s standing in the art world.

Kolaj Institute works in partnership with Kolaj Magazine to communicate, market, promote, publish, and distribute the work of the Institute. Kolaj Institute is the recipient of Kolaj Magazine‘s archives and collections.

Kolaj Institute is decentralized and works in partnership with a number of art venues and other organizations around the world to manifest its programs.

Publications from Kolaj Institute

Consider this: The book, not the gallery, may be the best place to experience collage. This sentiment has broad implications for how collage artists work and how their work is received by an art world whose orientation is decidedly fixed on the gallery wall. Can the book provide the functions that the exhibition has historically provided to artists? Unlike an exhibition where original work is on display, a book depends on reproduction for its distribution. Will the public accept a book as an experience of artwork or even as an object of art in and of itself? And if we accept the book as being on par with the exhibition, how does that affect how we think of the history of art publishing that has come before?

Kolaj Institute works with Kasini House to publish books that document and diffuse ideas that deepen our understanding of collage as a medium, a genre, a community, and a 21st century movement. Books are often the outcome of residencies, fellowships, and other projects.

What’s New In Collage

Collage on Screen

KOLAJ LIVE ONLINE Collage on Screen Tuesday, 9 July 2024, 7-9PM EDT (2300 UTC) GET TICKETS Collage on Screen, an eclectic program of moving images, is part of Kolaj Institute’s… [...]

Call to Artists: Collage on Screen Artist Residency 2024

CALL TO ARTISTS Collage on Screen Artist Residency A five-week, virtual/online residency with Kolaj Institute in August 2024 Early Deadline: Sunday, 14 July 2024Final Deadline: Sunday, 28 July 2024 Collage… [...]

Collage Games Artist Residency

Collage Games Artist Residency 16-20 September 2024, New Orleans A week-long, in-person residency in which artists will explore how to adapt their collage practice to game design or incorporate games… [...]

Call to Artists: Kolaj Institute Solo Residencies

CALL TO ARTISTS Kolaj Institute Solo Residencies Dates: One or Two-Week Residencies with dates mutually agreed with Kolaj Institute FALL 2024 DEADLINE: Wednesday, 31 July 2024(Submissions are reviewed on an… [...]

Queer Men Artist Lab: New Orleans 2024

CALL TO ARTISTS Queer Men Artist Lab: New Orleans Kolaj Institute and Kasini House’s Art Meets History project are organizing a Queer Men Artist Lab: New Orleans, 27-30 August 2024.… [...]